Three Billboards – we’re going to have to abbreviate henceforth, for obvious reasons – is a real movie, filled with real, complex characters that go on personal and collective journeys.
Woody Harrelson and Frances McDormand in a still from Three Billboards Outside Ebbing, Missouri. Sure, on the surface, Three Billboards Outside Ebbing, Missouri might remind you of something by Coen Brothers – star Frances McDormand, who, with Mildred Hayes, has given Marge Gunderson a companion for life, isn’t the only connective tissue – but despite these strictly superficial similarities it is as much a product of a singular voice – that of writer-director Martin McDonagh – than, say, No Country for Old Men is a Coen Brothers movie.
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